Recent Book chapters

“Public Domains: Engaging Iraq through Experimental Digitalities and Documentaries,” in Rethinking Documentary: New Perspectives and Practices, edited by Thomas Austin (London, England:  Open University Press, 2008))  341-363.

“Introduction: The Home Movie Movement: Excavations, Artifacts, Minings,” in Mining the Home Movie: Excavations in Histories and Memories, edited  by Karen I. Ishizuka and Patricia R. Zimmermann (Berkeley: University of California Press, 2007) 1-28

“The Home Movie and the National Film Registry: The Story of Topaz”, with Karen I. Ishizuka, in Mining the Home Movie: Excavations in Histories and Memories, edited by Karen I. Ishizuka and Patricia R. Zimmermann (Berkeley: University of California Press, 2007), 126-141

“Morphing History into Histories: From Amateur Film to the Archive of the Future,” in Mining the Home Movie: Excavations in Histories and Memories, edited by Karen I. Ishizuka and Patricia R. Zimmermann (Berkeley: University of California Press, 2007), 126-141

“Cartographies of the Impossible and the Possible,”  essay for Small Arms: Children at War, the Photographic Work of Michael Kienitz, ( Madison, Wisconsin: Chazen Art Museum, University of Wisconsin, 2007), 7-15

“Documentary in the 1990s,” in Contemporary American Cinema, edited by Linda RuthWilliams and Mark Hammond, (New York: McGraw Hill, 2006),  355-385.

“Pirates of the New World Order, in Technology and Culture edited by Andrew Utterson (London: Routledge, 2006), 186-199.

“Digital Imaginaries,”in Contemporary American Independent Film, edited by ChristineHolmlund and Justin Wyatt, (New York:Routledge Press, 2006),  245-264

“Peter Forgacs” in Understanding Film Genres, edited by Tom Pendergast, Sara Pendergast, Steven Jay Schneider (New York: McGraw Hill, 2006), 230-236