Deborah Montgomery

The Voice Studio of

Deborah Montgomery

Professor, Performance Studies
Faculty, School of Music

Specialty:Voice
Phone:(607) 274-3175
E-mail:dmontgom@ithaca.edu
Office:3205 James J Whalen Ctr for Music
Ithaca, NY 14850

Deborah Montgomery-Cove, professor of voice. Doctoral studies, M.M., University of Illinois at Urbana-Champaign; B.M., University of North Carolina at Greensboro. Vocal studies with Carol Webber, Charles Lynam, Lindsey Christiansen, Grace Wilson and Judith Oas.  Collaborative work with Charis Dimaras, John Wustman, David Lutz, Ralph Zitterbart and Norman Shetler.  Opera direction with David Lefkowich, Gary Race, Richard Getke, Adelaide Bishop and Nicholas DiVirglio. Contemporary Commercial Music workshops with David Sabella-Mills and  Level 1 certification with Jeanie Lovetri through the Somatic Voicework.  Currently serving as President of the Central New York Finger Lakes Chapter of the National Association of Teachers of Singing.

Formerly a member of the faculty at Appalachian State University, University of Wisconsin–Eau Claire and Northern Michigan University. 

A widely experienced recital, oratorio, and opera artist, soprano, Deborah Montgomery-Cove has sung with such companies as Virginia Opera Association, C. W. Post Summer Opera Festival and Ithaca Opera Association. Her roles include Adele in Die Fledermaus, Blonde in Abduction from the Seraglio, Queen of the Night in The Magic Flute, Rosina in the Barber of Seville, Cunegonde in Candide, Despina in Cosi fan tutte, and Susanna in the Marriage of Figaro. Ms. Montgomery has appeared with the West Virginia Symphony, Syracuse Symphony, North Carolina Symphony, the Greensboro Orchestra and the Cayuga Chamber Orchestra. Repertoire includes Barber’s Knoxville: Summer of 1915, the Brahms Requiem, Handel’s Messiah, the Haydn Creation, Bach’s Jauchzet Gott and the Mozart Mass in C minor.  In the fall of 2010 she was a soprano soloist in Bach's B minor Mass which toured in Washington, DC and Philadelphia with the Ithaca College Choir and Orchestra. In the spring of 2005 she was the soprano soloist in Orff’s Carmina Burana at Avery Fisher Hall with the Ithaca College Choir and Orchestra. She made her Carnegie Hall debut with Mid-America Productions in Mendelssohn’s Elijah in 1989 and presented a solo recital at the Liederkranz Foundation in New York City in May of 1991. International performances include a recital at the Irish World Music Centre in Limerick, Ireland in 2005, a guest teaching appointment in Hamburg, Germany at the Stage School for Music in 2000 and a recital at the Mauerbach Festival in Vienna, Austria with Norman Shelter in 1992. Other honors include a state finalist in the NATSSA Vocal Competition, finalist in the WGN Auditions of the Air Competition and a winner in the Cleveland Art Song Festival which included Master Classes with Elly Ameling, Gerard Souzay and Dalton Baldwin. In the fall of 2000 she recorded a CD with the Cayuga Chamber Orchestra of Boyz in the Wood, an original version of the Little Red Riding Hood story by Grant Cooper.  

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